If you’re a music fan, you didn’t need to tune in here to
know about the passing of Prince, and we’ll talk about that a little later.
There’s also some awful news about one of ‘60s garage rock’s most important
figures, Jimy Sohns.
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| Jimy Sohns |
For those of you who don’t know, Sohns was, and actually
still is, the leader of the Shadows of Knight, one of the most important garage
rock bands of the mid-‘60s. Sohns suffered a stroke on April 12. The official
word is that he’s OK and he’s recovering. Here is what the Shadows of Knights’
Facebook page says:
On April 12th, Jimy Sohns
suffered a stroke. Jimy has been taking this time out to rehabilitate, and is
going through extensive, but definitely worth it, therapy for his speech and
other things. The stroke has affected his talking voice but not his singing at
all. He is re-learning the use of the right side of his body right now, which
they originally said would only be able to get back up to 40% usage at most,
has already gotten back up to 70% usage, in this short amount of time. Right
now, the concentration is on getting Jimy better, because if you know him, you
know he can't wait to get back up on that stage. So sadly, if you saw that he
had to cancel his Pennsylvania, and Florida gigs this past week, he will also
not be able to attend the Cornerstones of Rock concert in Skokie, IL on May
1st, as he will still be recovering. Jimy plans to be back on stage by the June
24th Cornerstones show and he is more excited than ever to get back on the
stage! Send all your well wishes and thoughts his way.
Amongst the gigs in the works was
a reunion of the original lineup of Shadows of Knight, the first time all
members have played together since 1967.
Hailing from Chicago, the Shadows
of Knight are seen as influential beyond garage rock. The rocking beat of such
sings as “I’m Gonna Make You Mine” lead many to cite SoK as a marker on the
road to heavy metal. The band has many great songs, including “Shake.”
The song that got them, rightly
or wrongly, onto the top-10 in the United States was their cover of
Even being able to cut and release
the song was quite the coup for SoK. Several other bands, including the Gants,
already had versions ready for release, but again the suits put the kibosh on
it for reasons still murky today.
The would put out some fine work but like all the other
garage rock bands, they drifted apart and were no more by the ‘70s. And, also
like so many of their contemporaries, they would leave a legacy that up and
comers continue to discover to this very day.
There are no shortage of covers of SoK’s songs, but perhaps the
best known – and hardest rocking – is Primal Scream’s version of “I’m Gonna
Make You Mine.”
On a final note, we have traded a few emails with Sohns, who
was willing to do an interview with Garagerocktopia, but we weren’t ever quite
able to nail down a time. We’d still love to do a story, of course, but the
most important thing is that Sohns recover. There’s still a lot of rock and
roll left in him.
Very briefly, we wanted to acknowledge the passing of
Prince. Yeah, we know, he’s not garage rock, but that doesn’t matter. He was a
preeminent genius of our age. We won’t rehash is history here, since that’s
been done over and over again by people much better than us at doing so.
Suffice to say, the musical legacy alone is breathtaking.
This seems like a weird tangent, but bear with me please. On
a recent episode of his television show “Real Time with Bill Maher,” the
comedian ridiculed Bono, the singer of U2 for suggesting that comedy may be an
effective way to combat ISIS. We won’t get into the specifics of that, but
Maher’s comment, and I have to paraphrase because the direct quote contained
bad words, was that music might make bad times seem a little better but that
it’s not going to solve anything.
That’s the part I’d like to comment on. Will music stop
wars, revive economies and cure disease? Of course not, and nobody reasonable
would say that it has.
But music does have an impact, and has particularly had a
strong impact in the United States, particularly in the area of race relations.
While the state of those relations currently is far from ideal, it’s hard to
imagine us making even the progress we have without music.
Where would that start exactly? Perhaps with country singers
like Jimmie Rodgers and Hank Williams unabashedly borrowing from African-American
blues, and Howlin’ Wolf borrowing right back from country music. Or, maybe the
jazz of Count Basie and Duke Ellington were the start. Maybe, maybe not, but
you can’t deny that these things did make an impact.
I would name rock and roll itself as a turning point in race
relations. Did white artists get an awful lot of glory that black artists
should have gotten? Absolutely. When legions of white kids adored the music of
Chuck Berry and Little Richard, Jim Crow still stood stubbornly in place and
change, particularly from an African-American point of view, was minimal to say
the least, But it was a start.
There are far too many instances of music breaking down
barriers to name here. Motown and Jimi
Hendrix would also have to be
considered, as does the open debt of the Beatles, the Rolling Stones and Bob
Dylan to so many African-American artists. And, the impact of rap can also not
be underestimated.
Prince was a giant contributor. Perhaps a product himself of
the gradual wearing away of these (largely artificial) walls, Prince was
comfortable as a funk artist. Or a hard rocker. Or a smooth soul singer. Or a
jazz singer. And, regardless of whatever genre he was performing or mixing
together, it never lost its Prince-ness.
But maybe, as many others have observed, it was his role of
tossing out social barriers along with musical barriers, that has been his most
important contribution.
In many ways, he continued what David Bowie started,
but in a more genuine, heartfelt way. Was he black? White? Straight? Gay? What
did it matter? What we knew was that his music was unlike anybody else’s, and
it’ll be a long time, if ever, before we see anyone like him again.
I’m one of those people he affected. As a teen, I was
basically a chowderhead who stayed away from “black music,” though I must admit
I was very good at somehow not seeing the blues or Jimi Hendrix as such. Dumb,
I know. But Prince’s music – especially some of his searing guitar riffs – made
it safe for someone like me to admit what I had been denying all those years –
that I also like funk a lot, something I’m not so secretive about now.
One final note on Prince. Again, this is obvious to anybody
to has given his music and kind of serious listen, but the spirit of the ‘60s
permeates so much of his work.
As revealed in the excellent BBC documentary, Prince: The
Glory Years, he went through a period of intense interest in the Beatles
and other British Invasion bands (he was also very taken with Joni Mitchell’s
music). This came to the forefront most obviously in the mid-‘80s with the
album Around the World in a Day, which, aside from one huge hit
(“Raspberry Beret”) was not considered a masterpiece.
He also wrote a great song for the Bangles, “Manic Monday.”
This influence would be at its best on his landmark album Sign of the Times,
especially on the great, if overlooked track “Starfish and Coffee.”
At age 57, he was way too young to go. But, for people of
our generation, sadly, we’re going to hear about more and more of the greats
passing on.
On a different note, it has been a thorough pleasure writing
this blog, and we’ll continue to bring it to you. We haven’t had an artist
feature in a few weeks, but that should change soon. We have some in the works,
really good ones, but it’s taking some time for these to develop.
For regular readers, we do appreciate you checking back and
checking in so often. But, it takes time to put some of these articles together
– time that I am going to have to cut back a little bit. Posts will become
bi-weekly, though there may be some special posts on occasion. As I’m sure is
the case with many of you, real life has a nasty way of hijacking your time
away from things you want to do and towards the mundanities of life. We’re not
going anywhere – we’re just not dropping in quite as often. But thanks,
wherever and whenever you check in.


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