Paul Rosevear won’t hesitate to tell you he’s not
the first person to play the kinds of music he does. Nobody knows better just how
well-traveled is the road on which he rolls, along with the band of which he is
part, the Vice Rags.
“We play in a well-worn, simple tradition,” Rosevear
confirms, talking by telephone to Garagerocktopia from his New Jersey home. “It’s
three chords and the truth, as some might say. There’s nothing new about what
we’re doing.”
What makes the difference, however, is how he and the rest of the band do it. Yes,
the Vice Rags music does have a familiar feel, one of good old-fashioned New
Jersey power pop, usually hard-driving yet melodic. The Vice Rags are just the
latest band out of the Garden State to further establish it as one of power pop’s
epicenters.
Late last year, the Vice Rags released their first EP, a self-titled debut that, if there’s any justice in the world, should make
rock and roll fans all over sit up and take notice. Along with vocalist and
guitarist Rosevear, the band includes Jack Roberts on guitar, drummer Joe Chyb and
Gay Elvis on bass.
While the Vice Rags as a band is new, the members
that make up the combo are anything but. Some members have been playing
together on and off since high school and all are veterans with lots of gigs under
their belts. Band members have been a part of several great combos, such as the
Anderson Council, Mars Needs Women, Mercy Circle and Blake. As credentialed as those bands are, Rosevear said he
feels the best things lie ahead as part of the Vice Rags.
“The first time we played together, I just felt and
heard something that felt good, that felt right,” Rosevear remembered. “Being a
musician for 20 years, you have the ability to dial in and notice when
something special really stands out.”
The music is decidedly more beer-and-pretzels than pheasant
under glass, which in our view, is what rock and roll should be. If it’s fancy-schmancy
you’re after, go dig out your Miles Davis or John Coltrane discs. When you want
to really feel alive, get your hands on some Vice Rags music.
All five songs on the EP are solid, but for our
tastes here, the upbeat, vaguely snarly “Jersey Boy” is a good one to start
with. The very-slightly mellower “Alright by Me” is also a highlight. “Out on
the Street” is a solid rocker with just enough East Coast edginess to be
noticeable. There’s also a capable cover of “Lucille,” but the band’s original
material is by far more interesting.
“The music we make comes from that earthy tradition
of rock and roll,” said Rosevear. It’s one part Robert Johnson and one part
Hank Williams. It’s not highbrow by any means.”
Rosevear has, on more than one occasion, made clear
that one of the band’s main inspirations has been the blues. It would be a
stretch to call the Vice Rags a blues band, but Rosevear detailed those qualities
of the blues the band has folded into their own music.
“The blues are the same three chords,” explained
Rosevear, “and tons of artists are playing those chords, and yet they all have
their own personal expression and their own unique sound. And even though the
music itself is simple, the phrasing can be very sophisticated.”
Rosevear shared his own experience of learning the
guitar, seeing the simplicity of the blues, and completely underestimating the
difficulty of really getting into what the blues are all about. It has often
been noted that anybody can play the blues, but very few can play them well.
“A lot of guitar players get into blues early on,”
Rosevear recounted. “You’re 13 years old, and the blues seem like the easiest
thing to play in the world. You plug in, and you think you’re a real hotshot.”
“Later, I spent years complicating the living hell
out of everything I wrote – cramming chord or note into every song.”
“But I figured out that the simple stuff really
isn’t easy. Later, though, you realize you were just beating those licks to
death with a club – no taste, no nuance, no life experience, no steeping in
tradition and it’s then that you really see it’s a whole new world that goes
into making that sound.”
“Now I see that, while the barrier of entry is low
and it’s the people’s music, you can spend your whole life trying to get it
right.”
The very first contact we had was an email from Gay
Elvis proclaiming the band’s Asbury Park home base. Bruce Springsteen is only
the top of the list of legendary performers, which also includes Southside
Johnny and Bon Jovi, who either hail from the fabled town on the Jersey shore, or
who apprenticed many nights in clubs there to perfect their craft.
Being from a city with such a legacy could
conceivably produce a bit of stress. But Rosevear says it’s all good.
“There’s no pressure,” said Rosevear. “It’s actually
very cool to be a part of a place that has such a music tradition. Asbury Park
has its ups and downs, but right now we’re going through a period that has a
great scene, loads of bands, and lots of places to play.”
One thing that’s not so cool is how some – most notably across the bay -- take delight in disparaging New Jersey. Rosevear admitted sometimes that attitude can be annoying, but he and the band ju-jitsu it to their own advantage.
We have some other features already in the works here at Garagerocktopia. Artists have been sending us some very cool stuff. As always, we don’t make any guarantees in stone but we’re happy to say we’ve gotten a lot of very promising music sent to us, and we’re always happy to spread the word about about bands that are playing the way-out kinds of music we profile here. Send us a line and we’ll talk.
Also, we do have a Facebook page for this blog. We don’t put personal stuff on it – no pictures of grandkids or our dinners or politics or anything like that. What we do post are announcements about upcoming features, maybe extra stuff about the bands, and any cool music, movies or TV Shows we stumble across that might have even the most tangential connection with the music featured here. While we don't spend all day thinking about it, we do like "likes" if you're so inclined ...
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